lthough the Crossing series began as representations of
momentum and cloud forms, quickly the paintings became
metaphoric, each proved to be a scenario filtered through
the artist's remembrance of place and emotion. The
intertwined relationship between religion and painting
culminated in the artist's awe of the western plains and the
drama of incoming weather systems.
lthough the Crossing series began as representations of
momentum and cloud forms, quickly the paintings became
metaphoric, each proved to be a scenario filtered through
the artist's remembrance of place and emotion. The
intertwined relationship between religion and painting
culminated in the artist's awe of the western plains and the
drama of incoming weather systems.
